Posts Tagged ‘webdesign’

Breaking 960: Responsive Web Design for Wide Screens

Tuesday, August 28th, 2012

Responsive Web Design is taking over—resizing, adapting and shifting content so that each visitor gets an ideal viewing experience, regardless of what device they are using. Responsive web design is great for so many devices, from phones to tablets to laptops, but I’ve been noticing that the majority of responsive websites don’t adapt much beyond a 960 pixel width. W3Schools shows that 85% of visitors have a screen resolution higher than 1024, which gives us good reason to start paying more attention to the use and aesthetics beyond 960. Plus, if the whole point of responsive design is to be able to view content on any size of device, shouldn’t we also accommodate wide-width screens? The big question then is, how do we effectively design websites for those higher screen resolutions?

The Problem with 960
The 960 Grid System is based on a 960 pixel width using 12 or 16 columns and 20px gutters. The 960 has become a standard. I’m not going to deny that this system works great, it gives a perfect underlying structure to work with and divides nicely into a variety of column widths for easy use. But, I use a monitor that is 2560×1440 and when I open a standard 960 grid website, it floats in the middle of the browser with wide columns on either side, usually with some type of repeating color or photo that fills the background. On one hand, you’ve got to love the white space. It focuses your attention to the important content and gives a site A LOT of breathing room. But on the other hand, you have so much dead space, why not put it to use?

Breaking away from the standard 960 is tough, and requires a great amount of consideration to keep the site from looking overly cluttered and busy. If we go big, we’ve got to do it right. We shouldn’t just fill the page because we have the space, it needs to have purpose, still look visually appealing, and content should make sense as to not overwhelm the user.

Break it up
On first thought, the obvious answer is to let the text columns expand to fill the extra space. Wrong! If there are really wide columns of text it greatly reduces the readability. In The Elements of Typographic Style, Robert Bringhurst says that a good measure or line length is somewhere between 45 and 75 characters. Any longer than this and your viewer can have a hard time scanning back to find the start of your next line of text and cause misread lines of content. Breaking items into more columns of text may be the answer to utilizing the extra width.

Make it Larger
Next, you’ve got to get the size right. In most cases the larger your device, the further you sit away from it. Example: An average person sits about 18 inches from their laptop, but about 7 feet from their big screen. If you’re further away, the site will need larger text so a viewer can actually read it from a comfortable distance. Also consider a taller line height (more space between lines of text). A sufficient line height will allow the text to be more scannable.

Reorganize and Prioritize
Lastly, content will need to be reorganized for the larger layout. With so much width to play with, why not explore the placement of the content, displaying hidden content, or bringing in additional elements. Maybe the footer becomes a sidebar column or the horizontal navigation becomes another vertical column, allowing the rest of the content to be closer to the top. With all this additional content shown on the page, look out for information overload. The larger content area can make the page look cluttered. You should only be adding content that adds value to the page and still keeps it’s visual appeal. The page should still have strong hierarchy, including a good amount of white-space with elements scaled appropriately.

With the number of large screens growing, there is good reason to start pushing the boundaries and exploring ways to make use of wide-screen environments. To do this right, consideration has to be given to the added space. Elements need to be broken up so that they make most sense. Text and images should accommodate increased viewing distances. And content should be reorganized and prioritized so it remains visually appealing, but still lets users easily find the information they are looking for. With all these considerations in mind, we should be well on our way to creating successful wide-width responsive designs.


​The Web Diet

Tuesday, June 26th, 2012

The Web DietIn any diet you need to cut the fat in order to see results. After recently starting a new diet, I’ve realized that I’m no longer eating for taste, but eating for fuel. This means giving up the “fluff” that might taste great, but that also does nothing for my figure.

To get results, sometimes you just have to streamline and give the body what it needs to run at its highest efficiency. The same goes for your website. A healthy site cuts out excess. It should be the site you need, not necessarily the site you want. Remove the bulk and nourish it with stronger, leaner content, a thoughtful design, and a healthy organizational system. If you fueled with all of these “ingredients” it can thrive and achieve a look and feel that will appeal to your target audience.

Looking to get lean? Check out The Web Diet breakdown:

CONTENT:

  • Make it useful. Your content should be helpful and relevant to your audience or potential customer. Always consider your customers’ goals and what they are looking for.
  • Say it well. Make sure your site contains well written, credible, and original content. If you’re not a great copywriter, hire a professional. Keep information updated and fresh to give your audience a reason to come back.
  • Make sure it’s accurate. Use good grammar and spelling, duh!
  • Keep it short. To draw in your visitors, keep your text to a minimum. People have short attention spans—they skim and want to get to pertinent information quickly.
  • Give a call to action. Let users know what to do next—buy, contact, email, or sign-up. Help them make their next decision and get them to do what you want to them to.

DESIGN:

  • Give a good visual impression. You would dress up for an interview, so do the same with your site. First impressions are important, so put your best foot forward and create a design that is clean and visually appealing.
  • Set the tone. The visual appearance of your site will give your audience clues to the type of experience they can expect. White and clean could signal professional and credible, while colorful and textural could read unique and creative. Make sure your tone is in line with your business goals and your audience needs.
  • Design to your audience. Your look and feel should speak to your target audience. Choose photos and graphics that add visual appeal and makes sense for your viewer and your product or service.
  • Keep it simple. Your design should let viewers focus on your message. Let your message breathe with adequate white space. Your color, fonts and imagery should lead the user where you want them to go.
  • Make it readable. Make sure your text size and font is legible and has enough contrast for easy reading.

ORGANIZATION:

  • Logical Navigation. Put navigation where your audience would expect it—generally at the top of the page. Choose navigation language that is logical and makes the most sense for your viewer. Pages should have clear names so users can intuitively move through your site. Limit the number of items in your main navigation—aim for 5-7 links.
  • Create Hierarchy. Content should be arranged to make the most sense. Break information into sections or paragraphs. Group like elements and put information where users would expect to find it. Hierarchy allows viewers to easily scan and absorb your content.
  • Make it easy to find. Don’t bury key information in your site. Users should be able to get what they want within 3 clicks or less.

Diets aren’t always the easiest, but the results are worth it. Remember, don’t do something just because you can—cut out the bulk. Focus on what is most important to fuel your audience and make your site fit their needs. Relevant content, purposeful design and logical organization will keep your site thriving and keep viewers coming back.


Web Design Trends 2011: Typography

Monday, August 29th, 2011

Web safe fonts. If you are a web designer or developer, names like Arial, Verdana, Georgia, or Tahoma instantly come to mind when you hear those words. Up until recent years, designers (sometimes begrudgingly) relied on these and a small handful of other web safe fonts to allow visitors to view fonts correctly on screen. Internet browsers could only display fonts that were installed on a person’s individual computer, so this standard set of fonts became the typographical foundation for most websites.

With only a few web safe fonts available, web designs of the past have been extremely limited in the use of exciting and engaging typography. Specialty fonts online were generally reserved for main headlines and could only be placed in as static images, limiting the functionality of the type and hurting search engine optimization (SEO).

In recent years, there has been an emergence of font-embedding services, like Typekit, letting designers break out of the “safe” zone. Designers have more font options and can not only play with font style, but also the important details of leading and line height. These new options for fonts allow text to be easily updated and copied and selected from the browser, meanwhile maintaining a positive effect on SEO.

The font-embedding tools have created a boom in typographical exploration. Strong typography on a site can help tell a story as well as evoke an emotion from the audience. It can also set a tone for the site or emphasize a chosen theme. This year are seeing designs that are using large and exciting font choices, both through the use of static image and services like Typekit.

The big trend right now is to go huge with your headlines. These over-sized headlines capture the attention of the audience immediately and can make a site stand apart from their web-safe counterparts. Not only that, they can also create a visual hierarchy with the rest of the elements on the page as well as improve legibility for the viewer. The trend of typography on the web is definitely long-awaited and something I think it will keep growing and continue to be explored through a variety of methods. Typography lends a richness to websites that we haven’t seen in past years and gives web designers a whole new way to present information.

Check out the designs below for great uses of large typography.

CarsonifiedTapp3 MediaNeiman GroupMarie CatribsJeroen HomanChirp TwitterBlack Estate Vineyard


Tutorial: Subtle Web Backgrounds Using Photoshop Texturizer

Wednesday, June 8th, 2011

Subtle web background textures are extremely popular in current web design. They can be used to give a site depth and and add richness in a way that isn’t too overwhelming. I’ve been really into using these subtle textures in my web designs and I’ve been on the hunt for how to create my own textures from scratch. Today I’m going to share one way to create these patterns for your own web designs.

In this tutorial I’ll show you how to create a repeatable pattern in Photoshop and then use Photoshop’s texturizer to make a unique subtle and repeatable web background (as seen on the left). The texturizer’s great, because it allows you to add texture to an image without altering the image below. If you’ve already got a repeatable texture, you can jump down to section B to get started with the Texturizer!

A. CREATE A REPEATABLE TEXTURE

1. Find a Photo. Start with finding a high-res pattern image. I choose to work with a great fabric texture found here, but you could easily use a different photo or create your own.

2. Convert Texture to Grayscale and Resize. Bring your texture into Photoshop and convert to Grayscale. To do this go to, Image > Mode > Grayscale. Resize your image as necessary. I scaled mine down to create a more subtle look. Go to Image > Image Size to adjust the scale of your pattern.

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Mobile Web Design

Monday, June 6th, 2011

Mobile web design is a whole new beast when it comes to design. We are working with a new set of variables as designers: screen sizes are smaller and their dimensions are across the board. Mobile design is relatively new, so there is a bit of discovery and experimentation when it comes to user experience and interaction. Plus, mobile devices are rapidly changing, so you have to stay flexible so that a design can adapt to meet the needs of the audience. And let’s not forget about differences in bandwidth between phone users. These variables create a whole new mix of ingredients that effects how design decisions need to be made.

To add to the mix, we are no longer working with the same exact user as we do with the standard web. The mobile user is generally on the go, (waiting in line, walking the aisles in a store, in their car lost…) and trying to get information quickly without having to wade through tons of excess ads and information. Mobile users browse less, and it’s more likely that they are on the hunt for something specific. Information has to be streamlined and clear of clutter—only key information is given to the users, so they can get what they need quickly.

With mobile’s such limited screen space, sites are often a paired down version of their web counterpart. Often, you also see a link to the full site, a good way to keep your bases covered. A normal sites’ large graphics, videos and odd fitting content, however, can cause viewers to run, not to mention slow their phone down. So, removing the excess (without removing the what keeps users excited), and keeping a more liner vertically scrolling site, is extremely key in keeping the design effective for your users.

When designing for the mobile environment there is a bit of guess work and important considerations that need to be made before jumping head first into design. You need to consider phone and screen-size restraints, but I think most importantly you need to have a good understanding of your users, what information they will want to access and were they will be accessing it from. By streamlining and cutting the fat of our full sites, we can keep our audience’s need for information satisfied. But, we can’t just cut out all of the fun and beauty that keeps users engaged. A great mobile site needs to be functional, fit, and still maintain the excitement of the full website.


2011 Web Trend: Creative Navigation

Monday, April 25th, 2011

Again and again I’ve run across experimental and creative ways to navigate a page. I’ve uncovered side-scrollers, one-page vertical scrollers, parallax scrolling, animation, story-telling, and even horizontal scrolling within horizontal scrolling (and the list goes on). These new types of navigation systems can give web sites an exciting and engaging way to captivate users, forcing them to interact differently with content, experiment, or be taken on a journey through your web site. But be careful, because something new and different can often confuse or scare users away.

More traditional styles of navigation are comfortable and expected to users, enabling them to easily guide themselves through your content. By steering your users in a non-traditional style, you can risk losing your audience. For this reason, it’s vital that your navigation remains effective. A non-traditional navigation needs to be smart, thoughtful, and content appropriate. An e-commerce site probably wouldn’t benefit from a single page scroller, because of it’s high-volume of information. But a smaller scaled portfolio or promotional site could potentially benefit from a more dynamic style of navigation. If you are in a specific design, illustration or web field, giving your users a new way to get around can be a great way to show off personal style, technique and skill.

Want to experience it for yourself? Check out these examples of creative navigation below:

Nike Better World
This site uses parallax scrolling to create a dynamic site with depth. Just scroll to explore and animate.

Jax Vineyards
This site uses a mixture of vertical and horizontal scrolling, for a clean, minimal look and feel. Constant top navigation is smart and let’s users interact easily with the site and side. Scrolling arrows are large and easy to maneuver.

Ben The Body Guard
This web site takes you on a journey, once you figure out about its vertical scrolling feature. Follow Ben along the dark streets to figure out all you need to know.

Youzee
This vertical scroller takes you step by step. Just click the button on the home screen to get started. Use the icon driven nav at the top or scroll on through each page.

crushlovely
With a constant navigation on the left, it’s easy to get around this vertical scrolling site. Each “page” is broken up vertically with a different color theme.

Polecat
This is a vertical stroller that allows you to jump between pages with a simple top navigation.


2011 Web Trend: The End of the Fold

Friday, February 25th, 2011

With new developments in screen sizes and devices, the fold has become practically outdated. In web design, the “fold” is known as the imaginary line on a screen that designates what content is visible to a viewer without scrolling. If you’re curious, the term, “fold” originated from the traditional newspaper, where the most important content and images were printed above the paper fold. This rule helped gain maximum attention from the reader and made sure essential information was always visible. The same goes for web design, you want to make sure a viewer has visual access to the key info on your site within the first five seconds of reaching the page.

For years, web designers could mostly rely on the fact that a visitor would have a screen resolution between 1024×768 or 1280×700, and web sites could be created accordingly. There have been debates on where the traditional fold fell on these screen resoutions, but in general, the rule has been, don’t put any essential information below 600 pixels. Today, this is not always the case. Viewers now have access to a variety of screens, from iPhones, to giant TV’s, and it’s getting more and more difficult to establish the ‘fold’ line on a specific device. You can’t possibly design for all outcomes, and so the “fold” is starting to become irrelevant. To add to the mayhem, users today also aren’t afraid of scrolling either, and devices like the iPhone, make this intuitive and essential to view important information. With this new openness to scroll, these invisible boundaries seem somewhat unnecessary.

Even though we are moving into an entire new use of space, it doesn’t mean we should totally ignore the idea of the fold. The most important messages should remain near the top. We still need to respect the importance of the initial visual hit a viewer gets when they reach a site. It’s a powerful tool and and can help to capture the attention of the audience and perhaps even keep them scrolling on down the page.


2011 Web Trend: Full Image Backgrounds

Wednesday, January 26th, 2011

Want a show-stopper? Then hop on trend with full image backgrounds. A large scale illustration or photo background instantly grabs your viewer’s attention, adding life and creating a more dynamic and engaging look and feel. These over-sized backgrounds are great, but should be used in the right setting. Sites that already have image galleries make great candidates, think photography studio, design agency, fashion designer, illustrator, or even a picturesque resort. Beware, the most common issue with large backgrounds it that they have to conform to many different screen resolutions, so make sure you test, test, test and use an image large enough to fit the width for the most commonly used screen resolutions. Check out these images below for this new trend in action.


2011 Web Trend: Parallax Scrolling

Monday, January 10th, 2011

First seen in side scrolling video games from the 80′s, Parallax Scrolling is a special technique that gives an illusion of depth in a video game, or in today’s case, a web site. Parallax scrolling uses multiple layers to create the illusion of a 3D space, where background images move slower than foreground images. When used in web design, it can add a great sense of depth to the look of your site and is best used as a header, footer, or background. The effect can be created using CSS and some JQuery plugins (I’ll leave that up the the dev team). To experience this technique in action, check out Silver Back App. You’ll have to scale your screen width to get the full experience. Also, The Old Pulteney Row to the Pole web site uses a top down parallax that is super sweet. Be on the lookout for more designs like these popping up in 2011. For more info and how it can be done, check out Think Vitamin’s post on how to recreate the silverbacks parallax effect.


Google Font Previewer

Thursday, November 18th, 2010

Another free Google tool in beta?  Yep.  Seems like another one comes out every week.  This one in particular has been out for months, so if you haven’t given it a try yet, then you are overdue.

Do you need help configuring, testing and then easily embedding some free fonts into your web pages?  Great!  The Google Font Previewer lets you pick one of the open source fonts from Google’s Font Library, then tweak the size, spacing and decorations using simple sliders and buttons.

Perhaps even more exciting is the Chrome browser extension for the Google Font Previewer.  Click the icon in your Chrome toolbar, and select the web font you want the page you are currently viewing to become.  Zap!  New fonts to preview.  This can be great if you’re designing a site, but you’re just not sure which free web font to use.

These are both great tools for designers and web coders alike, so give them a shot.

Google Font Previewer (http://code.google.com/webfonts/preview)
Google Font Previewer Extension for Chrome (https://chrome.google.com/extensions/detail/engndlnldodigdjamndkplafgmkkencc)

Also, don’t forget to go back and read Greg’s post about Google’s Library of free Web Fonts.