Archive for March, 2010

Colosseo—The Roman Coliseum In Type

Wednesday, March 17th, 2010

Today by accident I ran across this 16″ x 24″ letter-pressed poster by Cameron Moll of the Roman Coliseum (also known as Amphitheatrum Flavium). I was blown away. It was handcrafted character by character over the course of roughly 250 hours and uses the characters from the Goudy, Trajan and Bembo Pro typefaces. Additional glyphs were recreated based on the work of master Italian calligrapher M. Giovambattista Palatino.

Cameron Moll also created a similar poster of the the Salt Lake Temple using characters from the Bickham Script Pro, Engravers MT, and Epic typeface families.


Lawyers vs. The Internet

Tuesday, March 16th, 2010

I’d like to take a few minutes and talk about one thing that we all use each and every day. The Internet. Whether or not you log on every day, you are surrounded by it. Even if you don’t sit down at your computer or pull out your 3G phone to log on, the Internet has changed the way our world communicates. It’s both a blessing and a curse (although, in my opinion, it’s a much larger blessing). Because the Internet is the first medium to bring you media content to your house without any platform to control it, you have to control it. It’s a double edged sword.

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2010 Web Design Trend: Modal Boxes

Monday, March 15th, 2010

A modal box is a secondary window that pops up and floats over the top of a web page, requiring a visitor to interact with it before they can return to the main window. It works similarly to a pop up box, but is way better, because they are seamlessly integrated into the layout of a web site and there is no need to load a new page. These boxes are more stylish, user-friendly, and allow the viewer to focus on pertinent information. You’ll commonly see these used to display images in detail, on sign-in forms, for alerts or notifications, to display help tips, search boxes and video. Check out examples of modal boxes below:

Facebook

Jules

Jules

Sierra Trading Post

Digg

Digg

Tumblr


New geolocation on Twitter!

Friday, March 12th, 2010

From Mashable.com comes the latest news on Twitter!

Twitter has just flipped the switch on geolocation within Twitter.com. Now at least some users can pull up location-based information from individual tweets on the microblogging website.

While attaching locations to tweets has been possible for several months now through third-party apps, Twitter.com itself hasn’t done much geolocation until today. It was first noticed yesterday, but the full rollout seems to be happening today.

It’s a simple integration: With any tweet that has a location attached to it (mostly via apps that support it, such as Foursquare (Foursquare) and Tweetie (tweetie)), a small location icon will appear at the end of the byline of that tweet. Clicking on it will bring up a Google Map showing the location where that tweet was sent.

It’s a simple integration, but it’s important to the future of Twitter (Twitter). Location has become this year’s big trend, and with Facebook set to launch location features next month, the company can’t afford to be left behind.

See the screenshot:


Too risque or just good advertising?

Thursday, March 11th, 2010

We’ve all seen them. They are the ads with the lovely new watch on the strikingly beautiful woman doing nothing other than just sitting there, being lovely, wearing the watch.

Then, of course, there are the ads that completely cross the line and border on inappropriate, even dirty.

Is there a happy medium in the creative spectrum? Perhaps an ad that is risque enough to be attention getting, yet remains within reason and effectively gets the point across? I believe there is.  My personal opinion as a consumer is that these ads do more than just successfully engage the viewer. Rather, they treat us with the respect we deserve by acknowledging that now, more than ever, the consumer is intelligent, thoughtful and capable of getting an inside joke. Similar to the lessons we’ve heard passed down through the years such as “why buy the cow when you can get the milk for free?”, advertisements that hide nothing and are outspokenly inappropriate leave nothing to the imagination. On the opposite end of the spectrum, adverts presented in good taste with a hint of risque seem to interact with consumers on a higher, more intellectual level. We get that marketers understand us and know that a shred of humor in an otherwise boring slew of constant advertising (see first picture above) is a welcome reprieve, whether in a magazine, on a billboard or as a part of a direct mail campaign. We appreciate the obvious creative effort that went into it and praise them for taking the time to humor us.

A wonderful example of this kind of effort is seen below in the Wallis “Dress to Kill” campaign:

This particular campaign is fun, humorous and sure to pull a smirk from the viewer. It is obvious that the creatives on the other side of this campaign thought this through, rather than simply finding the tackiest image available that would astonish their audience. The “Dress to Kill” campaign, in my opinion, covers all the right bases.

On the home front here at Zoom Creates, I’ve been fortunate enough to take part in many a creative brainstorm. What I know is that usually, the initial ideas brought to the table are perhaps “good enough” but not the best we could come up with. The best ideas seem to come to the surface a little later on, sometimes in the last 15 minutes of the brainstorm. What I’ve learned from this is that the time invested up front is directly related to the top notch end result that is produced.

From the Zoom Creates archives comes the Consolidated Press ad campaign that incorporates a little humor, a clear message and striking, eye catching visuals. Enjoy!


If I Were A Rich (Wo)Man

Wednesday, March 10th, 2010

I have exquisite taste. Take me to a store and I will immediately gravitate to the most expensive item/product/line they carry. Now granted, exquisite is subjective, but this is my blog entry, so for the sake of getting along, I shall pretend that we all agree Mrs. Knightly has -=The.Most.Exquisite.Taste.Ever=-

On my current wishlist are the following items in no particular order:

Carnival Lamps from Lum Lighting

At $2,250.00 it’s no wonder I fell in love with their Gaudy Goodness!

I paid $37,500 for my first home back in 1989. It had 4 more bedrooms and 2 more baths than this $49,500 1955 Chevrolet BelAir Convertible. I don’t care. I still want it.

1937 Bechstein model B Grand Piano

While I currently do not know how to actually “play” the piano, I am quite certain that were I able to plunk down $49,000 for one, I could also afford a personal Piano Teacher. Additional points if they were married to a Yoga Instructor.

Wait! This can’t just be about My Exquisite Taste! I need to somehow tie this in and give it a Design & Marketing Spin. The fact is, each of these is all about Design and Marketing. Everything that gets manufactured has appealed to someone at some point.

Being in this industry has made me look at the world in a whole new way. Grocery shopping takes longer because I get so involved in the packaging designs and I think longer and harder about brands and why one can of tomatoes looks better than another, even though they probably came from the same processing plant. It’s the visual presentation, while the can shape is pretty much the same, the fonts, colors, photo’s and verbiage are what compels us to buy even more than the price in some cases.

I am a fan of San Marzano Tomatoes. They’re pricey, so I don’t buy them for everyday cooking, but once in a while, when I am at Pasta Works on Hawthorne, I heed their siren call and splurge on a couple of cans to up the culinary ante on my Pasta Surprise.  Wouldn’t you?

One of these things is not like the others...

Compared to the Hunts can on the right, the Italian tomatoes “feel” different to me. More authentic, wholesome and flavorful. Interesting that a drawing of a tomato can evoke that sentiment more strongly than an actual photograph. It just does. In the same way that a 1955 Bel Aire feels more authentic to me than a 2010 Cadillac.

Perhaps “nostalgia” is the word I’m really looking for here. Tried and true, like Helvetica. Sturdy and strong like a Bel Aire. Fancy lamps made from real metal and wood and a piano that was made by hand 73 years ago and is still around to grace someone’s living room (even if it’s not mine!).

Nostalgically Yours,

Mrs. Knightly


2010 Web Design Trend: Increased White Space

Tuesday, March 9th, 2010

Today’s websites are getting cleaner, more streamlined and focused on an increased use of white space. White space refers to the negative space between and around the elements in a design (graphics, type, columns, etc.). Those who are inexperienced with the use of white space may view it as an empty area, and thus a waste of valuable screen real estate. This blank space, however, is extremely beneficial to a design and the usability of a site. White space will make a layout much easier on the eyes. It reduces the amount of text a viewer will see at one time, increasing legibility and helping a visitor quickly find what they are looking for. It can also improve the structure of a site by creating a visual separation of elements, allowing content to stand out from the background. Not only is it functional, increasing space can also give a web site a more professional, uncluttered, and fresh appearance, providing a strong platform on which to present your message. Check out the examples below for excellent uses of white space:

Apple

Jason Reynolds

Indie Labs

Buffalo

Astheria

Left


Super Slow Motion Dogs

Friday, March 5th, 2010

I thought my dog, Hoss, moved in slow motion until I saw this video titled “The Catch”. It is a commercial for Pedigree dog food by TBWA Toronto, shot at 1000 frames per second that has gone viral. The video was inspired by the French community of digital artists, Pleix, who made a video called Birds in 2006. Birds also features dogs in super slow motion but includes laser lights and 80′s-style synthesizer music. Both are sights to behold.




Make art while designing

Thursday, March 4th, 2010

We’ve been playing with the mouse tracking application IOGraph to see what our mouses create while we work away as usual. The application tracks your mouse path, making a visual representation of every move you make. The images are cool looking and even more fun when you look at them while thinking about how the movements were effected by what programs you were working in, what type of project you were working on, where your palettes were placed, whether you tend to use key commands or prefer to use the menu etc. This image on Flicker shows the IOGraph image over the top of the desktop to illustrate this point.

Here are images taken after an hour and a half from each of the designers.

Here is Robin working on an eCommerce site in Photoshop:

And Greg researching on the internet:

And me working back and forth between Illustrator and InDesign:


3D Apple Tribute

Tuesday, March 2nd, 2010

Many of us at Zoom (correction: MOST) have been Apple fans for quite some time. The video tribute below was created by Transparent House and the animation was done using 3D’s Max and V-Ray Render. Shockingly enough, the entire process took no more than 10 days to complete. Without tooting our own horn too much, the tribute brings to mind our own Zoom Creates Reel, which is quite possibly why I find it so darn attractive.

On a side note, the presentation of the products is beautiful and shows the genius progression of a company started in a garage that has grown into an empire.

Anatomy of Apple Design from Transparent House on Vimeo.